The Interview - Serena Moss
What made you choose this genre?
I’ve always been drawn to this genre because it allows me to explore certain themes and emotions in depth. Whether it’s [specific genre], where I can play with imagination and world-building, or [another genre] for its emotional complexity, I feel it’s the best way to tell the stories I want to share.
How do you handle bad reviews or negative feedback?
Negative feedback is tough, but I try to see it as part of the process. Not everyone will connect with my work, and that’s okay. I focus on constructive criticism, which helps me improve, and I try not to dwell too much on the harsh stuff.
What part of writing do you find most difficult?
The middle of a book can be the hardest for me. It’s easy to start with enthusiasm, and I know where I want the story to end, but keeping the momentum through the middle sections often requires extra effort and reworking.
What inspired the setting of your latest book?
The setting was inspired by a place I visited years ago. I wanted to capture the atmosphere, the way the environment shapes the characters' experiences. The geography, climate, and culture of the location played a big role in the story's development.
How do you know when a story is finished?
For me, a story feels finished when I can read it and there’s nothing left that I want to change or add. It’s a gut feeling more than anything. It also helps to take a break and come back to it with fresh eyes, knowing I’ve done my best.
Do you prefer writing series or standalone novels?
I enjoy both! Series allow me to dive deep into character development over time and explore more intricate plots, but standalones offer the satisfaction of wrapping everything up in one book. It really depends on the story I’m trying to tell.
How do you balance descriptive writing with action or dialogue?
It’s all about pacing. Too much description can slow the story, but too little can leave the reader ungrounded. I try to weave in description naturally during action or dialogue so that the reader can visualize the scene without losing momentum.
What’s the most surprising thing you’ve learned about yourself through writing?
I’ve learned how deeply I can empathize with my characters. Even those who seem very different from me still have pieces of my own fears, desires, and struggles. Writing has taught me to be more introspective and has helped me understand myself better.
How do you deal with distractions while writing?
I try to create a distraction-free environment by setting boundaries, whether that’s turning off notifications or writing at a time when I know I won’t be interrupted. When distractions happen, I give myself permission to pause and regroup rather than fight them.
Do you ever revisit old works and feel the urge to rewrite them?
Sometimes! Looking back, I see areas where I’ve grown as a writer, and there’s always the temptation to improve older works. But I remind myself that those stories reflect who I was at that time, and it’s important to move forward rather than constantly revise the past.