The Interview - Lincoln Peirce
How do you handle writing about difficult or emotional topics?
Writing about difficult topics can be emotionally draining, but it’s also rewarding. I try to be as honest and authentic as possible, drawing on personal experiences or deep empathy for those situations. I also take breaks when necessary to process the emotions before diving back in.
Do you ever write with a particular message or moral in mind?
Not initially. My first goal is always to tell a compelling story. If a message or moral emerges naturally through the characters’ journeys, that’s great, but I don’t like to force it. I believe the best stories let readers take away their own interpretations.
How do you stay motivated during long writing projects?
I break the project into smaller, manageable goals. Setting deadlines and celebrating small wins helps me stay motivated. I also remind myself of the end result and the satisfaction of completing the story. Talking to other writers for support also keeps me going.
What is your favorite way to unwind after a long writing session?
I like to go for a walk or spend time in nature. It helps clear my head and gives me a break from staring at the screen. I also enjoy cooking or reading something completely unrelated to what I’m working on to recharge.
Do you let anyone read your drafts before they’re finished?
Only a select few! I have a couple of trusted beta readers or fellow writers who I share early drafts with. Their feedback is invaluable, but I prefer to keep the project close until I feel it’s in a more polished state.
What’s the most unexpected thing that’s ever happened in your writing journey?
One of the most unexpected things was when a minor character I introduced as a plot device ended up becoming central to the story. They just came alive in a way I hadn’t anticipated, and it completely changed the direction of the book.
How do you approach writing a book that involves multiple perspectives or timelines?
Organization is key! I use outlines and charts to keep track of each timeline and perspective. I also make sure each character or timeline has its own voice and purpose in the story, ensuring they all tie together seamlessly by the end.
What’s your relationship like with your editor?
I see my editor as a collaborator. They push me to dig deeper into my story and characters, which ultimately makes the book stronger. It’s a constructive process where their feedback helps me see things I may have missed, and I’m grateful for that partnership.
How do you decide when to abandon a story or idea?
I try to give each idea a fair shot, but if I lose excitement for it or if it feels forced, I know it’s time to move on. Sometimes an idea just isn’t ready, and I might shelve it to revisit later with fresh eyes or a new perspective.
How important is pacing in your novels, and how do you achieve it?
Pacing is crucial. A story should have moments of tension balanced with quieter moments for reflection. I achieve this through careful structuring—knowing when to slow down for emotional beats and when to speed up for action or suspense. Beta readers help me ensure the pacing feels right.